Hollywood: Perhaps no other place on earth evokes the same air of show-business magic and glamour. The legend of Hollywood began in the early 20th century and is an earmark of modern American society rich in history and innovation.
The origin of movies and motion pictures began in the late 1800’s, with the invention of “motion toys” designed to trick the eye into seeing an illusion of motion from a display of still frames in quick succession, such as the thaumatrope and the zoetrope. In 1872, Edward Muybridge created the first true “motion picture” by placing twelve cameras on a racetrack and rigging the cameras to capture shots in quick sequence as a horse crossed in front of their lenses.
Read Article: http://historycooperative.org/the-history-of-the-hollywood-movie-industry/
Before faceless multiplexes became the norm, one could always spot a movie theater in the distance, even if it was your first visit to that town. A large illuminated vertical sign announced the name of the cinema, and the triangular marquee below was lined with tiny blinking light bulbs. Even if the film being shown was a dud, that sign out front just lured you inside.
And that was just one of the trimmings that used to make “going to the movies” an event, a night out on the town. If you remember when an usher would scold you for speaking too loud, or had a grandma who had a full set of china only because she’d faithfully attended weeks of Dish Nights, these 11 artifacts might bring back some fond memories.
Read Article: mentalfloss.com/article/52164/11-things-we-no-longer-see-movie-theaters
Writer Paul Haggis talks to producer Ed Zwick at the premier of their movie “Don’t Move.”
© AMANDA EDWARDS/GETTY IMAGES
A movie producer is the person responsible for making sure an appealing, high-quality movie is produced on time and within budget. That means supervising and packaging the project from conception to distribution to theaters, while interfacing with the studio and managing the work of hundreds of individuals [source: Full Sail].
Read Article: http://entertainment.howstuffworks.com/movie-producer2.htm
Scene from The Great Train Robbery (1903), directed by Edwin S. Porter.
From a private collection
History of the motion picture, history of cinema from the 19th century to the present.
Early Years, 1830–1910
The illusion of motion pictures is based on the optical phenomena known as persistence of vision and the phi phenomenon. The first of these causes the brain to retain images cast upon the retina of the eye for a fraction of a second beyond their disappearance from the field of sight, while the latter creates apparent movement between images when they succeed one another rapidly. Together these phenomena permit the succession of still frames on a motion-picture film strip to represent continuous movement when projected at the proper speed (traditionally 16 frames per second for silent films and 24 frames per second for sound films). Before the invention of photography, a variety of optical toys exploited this effect by mounting successive phase drawings of things in motion on the face of a twirling disk (the phenakistoscope, c. 1832) or inside a rotating drum (the zoetrope, c. 1834). Then, in 1839, Louis-Jacques-Mandé Daguerre, a French painter, perfected the positive photographic process known as daguerreotypy, and that same year the English scientist William Henry Fox Talbot successfully demonstrated a negative photographic process that theoretically allowed unlimited positive prints to be produced from each negative. As photography was innovated and refined over the next few decades, it became possible to replace the phase drawings in the early optical toys and devices with individually posed phase photographs, a practice that was widely and popularly carried out.
Read Article: https://www.britannica.com/art/history-of-the-motion-picture
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